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Description
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Countryman Associates Isomax 2 All-Purpose
Unlike other choir mics, Countryman's unique Isomax II-H hypercardiod mic is designed to pick up the whole choir evenly. That means the front row of singers doesn't overpower the back rows, and nobody sounds like a soloist simply because he or she is closest to the mic.
With our comprehensive guide to hanging the mics, you can eliminate unwanted noise from the audience, musicians, and monitor speakers. Best of all, the Isomax II-H's coverage pattern reduces the number of mics necessary to capture the whole choir.
You can fly these tiny, lightweight microphones almost invisibly from a thin wire spanning across the choir, rather than suspending bulky equipment from high ceilings. That makes our choir mics infinitely easier to replace, position and control - without the risk of equipment accidentally falling and injuring people below.
Supplied with windscreen, cable spool, stiffener for hanging and phantom-powered preamp.
Applications:
Which pattern should I choose?
To get the best performance, know the angles where your microphone is most sensitive to sound, and which angles offer the best rejection of unwanted sounds.
Countryman Associates Isomax 2 All-Purpose
Unlike other choir mics, Countryman's unique Isomax II-H hypercardiod mic is designed to pick up the whole choir evenly. That means the front row of singers doesn't overpower the back rows, and nobody sounds like a soloist simply because he or she is closest to the mic.
With our comprehensive guide to hanging the mics, you can eliminate unwanted noise from the audience, musicians, and monitor speakers. Best of all, the Isomax II-H's coverage pattern reduces the number of mics necessary to capture the whole choir.
You can fly these tiny, lightweight microphones almost invisibly from a thin wire spanning across the choir, rather than suspending bulky equipment from high ceilings. That makes our choir mics infinitely easier to replace, position and control - without the risk of equipment accidentally falling and injuring people below.
Supplied with windscreen, cable spool, stiffener for hanging and phantom-powered preamp.
Applications:
- Virtually invisible mics for choir, stage and audience
- Unusually uniform pickup over entire choir or production
- Text book perfect cardioid and hypercardioid polar patterns for excellent stereo separation and rejection of unwanted sounds
- Precision directional patterns are uniform with frequency
- Excellent gain before feedback
- Handles high SPL
- Sleek, small, lightweight mic doesn't distract performers or house li> Easy to hang without scaffolding
- Special 50' cable won't twist with temperature changes.
Which pattern should I choose?
To get the best performance, know the angles where your microphone is most sensitive to sound, and which angles offer the best rejection of unwanted sounds.
- The omnidirectional pattern picks up all sounds from all directions equally. It has the flattest frequency response, the lowest noise level, and is the least susceptible to wind noise and vibration. The omnidirectional microphone is often used for recording and sound reinforcement of acoustic instruments such as percussion, guitar, saxophone, and piano.
- The cardioid pattern is most effective at picking up sound directly in front of the microphone, and is least sensitive to sound directly behind the microphone. Overall the cardioid picks up about 1/3 less ambient noise than the omnidirectional, so the working distance (the distance a performer could be positioned from the microphone) is approximately 1.7 times that of the omni. The cardioid is an excellent choice when you can position the microphone directly toward the sound you wish to record (a lead singer, for example) and directly away from unwanted sound sources (a crowd or loud monitor).
- The hypercardioid pattern has a narrower pick up pattern in front than the cardioid, and overall better rejection of ambient noise, and the working distance is about twice that of the omni. The hypercardioid has a small “pick-up lobe” directly behind the microphone. This means that the maximum rejection areas are behind and to the sides (about 60 degrees away from the rear of the microphone on either side). The hypercardioid is the best choice when the loudest unwanted sounds—like speakers—can be positioned in these nulls.
Specifications
Frequency Response:
ISOMAX 2 O: 20 Hz to 20 kHz
ISOMAX 2 C, H: 50 Hz to 20 kHz
Overload Sound Level: 150 dB SPL @ 1% THD
Output Impedance: 600 Ohms +/- 2% balanced, transformerless. Will drive load impedance without distortion at full rated SPL.
Maximum Noise Level:
ISOMAX 2 O: 25 dB SPL A-weighted
ISOMAX 2 C, H: 29 dB SPL A-weighted
Power: Phantom, 6 to 50 Volts @ 4 mA. Voltages below 24V will result in reduced overload SPL.
Dimensions: 5/16” (8 mm) x 5/8” (16 mm) x 5/32” (4 mm) excluding cable strain bushing.
Sensitivity: -57 dB (0 dB = 1 V/Pascal. Open circuit)
ISOMAX 2 O: 20 Hz to 20 kHz
ISOMAX 2 C, H: 50 Hz to 20 kHz
Overload Sound Level: 150 dB SPL @ 1% THD
Output Impedance: 600 Ohms +/- 2% balanced, transformerless. Will drive load impedance without distortion at full rated SPL.
Maximum Noise Level:
ISOMAX 2 O: 25 dB SPL A-weighted
ISOMAX 2 C, H: 29 dB SPL A-weighted
Power: Phantom, 6 to 50 Volts @ 4 mA. Voltages below 24V will result in reduced overload SPL.
Dimensions: 5/16” (8 mm) x 5/8” (16 mm) x 5/32” (4 mm) excluding cable strain bushing.
Sensitivity: -57 dB (0 dB = 1 V/Pascal. Open circuit)
| Connector Type Reference Chart | |||
|---|---|---|---|
| Transmitter Brand | Transmitter Model | Connector Type | Code |
| AKG | DPT800,DPT700,PT2000,PT40,PT400,PT4000,PT45,PT450,PT4500,PT470,PT60,PT61,PT80,PT81 | TA3F | AK |
| AKG | PT300,PT500,PT51 | B-LOC (locking male) | AG |
| Audio 2000's | Audio 2000's: AWX6030M; Sennheiser: SK 100 G1,SK 100 G2,SK 100 G3,SK 100 G4,SK 1093,SK 20,SK 300 G1,SK 300 G2,SK 300 G3, SK 300 G4,SK 500 G1,SK 500 G2,SK 500 G3,SK 500 G4,SK AVX,SK D1,SK-XSW,SL Bodypack DW,XSW-D TX35 | 3.5mm locking | SR |
| Audio Limited | RMS-2000-mxl,TX2000 | Lemo 6 pin (FFA.2C.306) | AL |
| Audio Technica | AEW-T1000,AEW-T1000a,ATW-T1001,ATW-T35,ATW-T601,ATW-T701,ATW-T75,ESW-T211 | Hirose 4 pin | AN |
| Audio Technica | ATW-3201 | Hirose 4 pin screw-down cH-style | ATCH |
| Audio Technica | ATW-T101 | TA5F | AW |
| Audio Technica | ATW-T1801,ATW-T201,ATW-T210,ATW-T210a,ATW-T27,ATW-T31,ATW-T310,ATW-T310b,ATW-T51 | Hirose 4 pin | AT |
| Audio Technica | ATW-T5201 | Hirose 4 pin screw-down cH-style | ANCH |
| Audix | B60 | TA3F | AB |
| Azden | 15BT,35BT | 3.5mm non-locking mono | AZ |
| Azden | 31LT,32BT,WLT-PRO,WM22,WM-PRO | 3.5mm non-locking mono | ZP |
| Carvin | Carvin: UBP1000,UX16-BP,UXBP16; Shure: BLX1,FP1,PG1,SLX1,UC1,ULX1,UR1,UR1M; Trantec: S4.4-BTX,S5.3-BTX,S5.5-BTX; JTS: E-6TB,E-7TB(D),IN264TB,IN64TB,PG-36BG2,PT-850B,PT-850BD,PT900B,PT-920B,PT-920BG,PT-920BGmi,PT-920Bmi,PT-950,PT-950Bmi,RU-850LTB, RU-850TB,RU-988TB,RU-G3TB,UF-10TB,UF-20TB; Beyerdynamic: TG 1000 (gray switch),TG 100B (gray switch) | TA4F | SL |
| Comtek | M-216,M-72 (Switchcraft 851 connector) | Switchcraft 851 | C2 |
| Electrovoice | BP-300,BPU-2 (RE2 Bodypack),BPU-2Pro (RE2 Pro Bodypack),BPU-2Pro-REF (RE2 Pro Referee Bodypack),BPU-R,CSB-1000,NBPU,NBPU-G,WTU-2,RE3-BPT (RE3 Bodypack) | TA4F | ET |
| Electrovoice | MB2500,MSB | TA4F | EV |
| Happie Amp | Happie Amp: Happie Amp; Empower Sound: Amazing Amp | 3.5mm locking | HA |
| Hardwired/XLR | Hardwired (high gain) | XLR3 Male | none (high gain) |
| Hardwired/XLR | Hardwired (standard gain) | XLR3 Male | none (standard gain) |
| Lectrosonics | DBa,DCHT (with MCTA6TA5M2),LMa,LMb,LT,PDR,SM,SMa,SMB,SMDa,SMDB,SMQ,SMQa,SMQV,SMV,SMWB,SMDWB,SPDR,UM400a,UM450 | TA5F | SM |
| Lectrosonics | HM,UH200d,UH400,UH400a | A3M | LE |
| Lectrosonics | IM,LM,UM100,UM110,UM190,UM190b,UM195b,UM200,UM200b,UM200c,UM250b,UM250c,UM300b,UM400,UM500 | TA5F | L4 |
| Lectrosonics | M170,M170-BGO,M170-LS,M170-XLR (using 2.5mm jack),M175,M175-LS | Switchcraft 851 | L2 |
| Lectrosonics | M185,M187,UM700 | TA5F | LS |
| Lectrosonics | MM200,MM400,MM400a,MM400b,MM400c | Waterproof 2.5mm | LW |
| Lectrosonics | UH100,UH110,UH190,UH195,UH200,UH200c | A3M | LX |
| Lectrosonics | WM | Waterproof 2.5mm | WM |
| Lectrosonics | Lectrosonics: SSM; Sennheiser: SK 2000 | Lemo 3 pin | S2 |
| Lightspeed | BP-200 | Hirose 4 pin | LH |
| Line 6 | TBP06 | 1/4in phono right angle | L3 |
| Line 6 | TBP12 | TA4F | L7 |
| MIPRO | ACT-707T (older),MT-103 (older),MT-303 (older),MT-801 (older),MT-808 (older) | Screw on mini 4 pin | MN |
| MIPRO | MIPRO: ACT-24T,ACT-24TC,ACT-30T,ACT-32T,ACT-32TC,ACT-50T,ACT-52T,ACT-52TC,ACT-58T,ACT-58TC,ACT-707-TS (TE),ACT-70T,ACT-70TC,ACT-7Ta,ACT-801 TS (TE),ACT-80T,ACT-80TC,ACT-8Ta,MT-103a,MT303,MT801,MT-801a,MT808; Beyerdynamic: Opus Series,TG 100 (before 2015),TG 1000 (before 2015),TS 100,TS 300,TS 500,TS 800,TS 900 C,TS 900 M,TS 910 C,TS 910 M; Peavey: PCX-U302-B,PCX-V12-B | Screw on TA4F | MI |
| Nady | UB10,UB16,WLT14,WLT15 | 3.5mm locking | NL |
| Pigtail Leads (W5) | Pigtail Leads (W5): Pigtail leads for 3 wire; Pigtail Leads (W4): Pigtail leads for 2 wire 2k ohm; Pigtail Leads (W3): Pigtail Leads for 2 wire 10k ohm | Stripped and tinned | NC |
| Revolabs | HD (Countryman Adaptor) | TA4F | RV |
| Sabine | ST50T,SW1600,SW16TX,SW3000,SW30TX | Screw on TA4F | SS |
| Sabine | SW16T,SW30T | Screw on mini 4 pin | SB |
| Sabine | SW70 | TA4F | ST |
| Samson | AL-300,CT3,CT7,T32,UT1L,UB7,CB99,VT2L,VT3L | TA3F | SV |
| Samson | BT3,CT2,TX4 (gray),UT4 | Hirose 6 pin | SA |
| Samson | TX3 (Black),UT5,UT6 | Hirose 6 pin | SX |
| Senal | AWS-2000T | 3.5mm locking | S4 |
| Sennheiser | BF 1083 | Lemo 1 pin | S1 |
| Sennheiser | SK 2012 | Microdot | SE |
| Sennheiser | SK 2020-D | 3.5mm locking | S6 |
| Shure | AD1,ADX1,AXT100TA4F,GLXD1,PGXD1,QLXD1,ULXD1 | TA4F | AX |
| Shure | MXW1,MXW1/0=-Z11 | TA4F | SW |
| Shure | Shure: AD1LEMO3,ADX1LEMO3,ADX1M,AXT100LEMO3,ULXD1LEMO3,UR1MLEMO3; Audio Limited: A10-TX,A10-TX-US; Sennheiser: SK 250,SK 3063,SK 50,SK 5012,SK 5212,SK 5212-II,SK 6000,SK 9000 | Lemo 3 pin | S3 |
| Sony | DWT-B01,DWT-G01,DWT-S01,DWT-V01 | Hirose 4 pin (twist lock) | DS |
| Sony | UTX-B03,UTX-B1,UTX-B2,WRT-805A | 3.5mm locking | SN |
| Sony | WRT-28,WRT-820A,WRT-860A,WRT-8B | Hirose 4 pin (twist lock) | SO |
| Sony | WRT-420,WRT-822B | Hirose 4 pin (twist lock) | SY |
| Sony | ZTX-B01,ZTX-B02RC | 3.5mm locking | SF |
| Telex | LT100,PST16,VB12,WT10,WT1000,WT50,WT500,WT55,WT60,WT700,WT80 | TA4F | TS |
| Telex | WT-200,WT-400,WT-450 | Lemo 4 pin | TL |
| Toa | WM-370,WM-4310,WM-5320,WM-5325 | 3.5mm (Special Toa) | TO |
| Toa | WM-4300 | TA4F | TA |
| Vega | BP2020,PRO-2,ST2020,T23,T25,T37,T93 | TA4F | VS |
| WisyCom | MTP30,MTP40,MTP40S,MTP41,MTP41S | Lemo 3 pin | WY |
| Zaxcom | TRX900AA,TRX900LA,TRX900LT,TRX900LTH,TRX900LTHS,TRX900LTS,TRXFB3,TRXLA2,TRXLA3,TRXLT3,ZMT3 | Lemo 3 pin | ZX |
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