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Countryman H6 Omnidirectional Headset Microphone

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Description
Please Note: Not all variations may be available to ship immediately. If you have an urgent need, please contact sales at 1-888-686-0551 or email sales@focusedtechnology.com with the model(s) and quantity you need.
Countryman Associates H6 Omnidirectional Headset
The H6 Omni Headset is the lowest profile headset microphone in the world. Combining the transparent sound quality and water-resistant capsule design of the E6 Earset with a comfortable, lightweight, and easily adjustable headframe, the H6 Omni Headset is perfect for houses of worship, theaters, broadcasters, and presenters.
Refer to this chart to find the correct connector for your model
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Product Specification Sheet
Countryman Associates H6 Omnidirectional Headset
The H6 Omni Headset is the lowest profile headset microphone in the world. Combining the transparent sound quality and water-resistant capsule design of the E6 Earset with a comfortable, lightweight, and easily adjustable headframe, the H6 Omni Headset is perfect for houses of worship, theaters, broadcasters, and presenters.
- Nearly Invisible: With a diameter
of only 0.1” (2.5 mm)—the size of a
No. 2 pencil lead—the mic capsule
virtually disappears when worn.
- Sweat-Resistant Connector: The
mic detaches from the cable using
a new connector with a tight seal
against moisture (e.g., sweat).
- Extra-Rugged Cable: The 1.2 mm diameter cable uses Aramid strength
members and engineered alloys for
extreme tensile and flex strength.
- Easily Adjustable: The headframe
can be adjusted to fit different head
sizes and the mic boom slides to get
the perfect fit.
- Three Sensitivity Options: The H6 Omni Headset is available
in three sensitivity options. Choose W5 (no band) for general
speaking, W6 (blue band) for loud speaking and vocals, and
W7 (purple band) for powerful vocals such as opera.
- Color Options: Tan is the most popular choice, since it is perfect for average Caucasian skin tones, as well as olive complexions. Light beige works well in theatrical applications. Cocoa is ideal for African American skin tones from very light to chocolate, and black is appropriate if you want the mic to be visible.
"
| Connector Type Reference Chart | |||
|---|---|---|---|
| Transmitter Brand | Transmitter Model | Connector Type | Code |
| (No Cable/Adaptor) | (No Cable/Adaptor) | (none) | MO |
| AKG | DPT800,DPT700,PT2000,PT40,PT400,PT4000,PT45,PT450,PT4500,PT470,PT60,PT61,PT80,PT81 | TA3F | AK |
| AKG | PT300,PT500,PT51 | B-LOC (locking male) | AG |
| Amplivox | S-1600T,S-1690T | 3.5mm non-locking | AM |
| Anchor Audio | WB-6000,WB-6400,WB-8000 | TA4F | AA |
| Audio 2000's | Audio 2000's: AWX6030M; Sennheiser: SK 100 G1,SK 100 G2,SK 100 G3,SK 100 G4,SK 1093,SK 20,SK 300 G1,SK 300 G2,SK 300 G3, SK 300 G4,SK 500 G1,SK 500 G2,SK 500 G3,SK 500 G4,SK AVX,SK D1,SK-XSW,SL Bodypack DW,XSW-D TX35; Gemini: UHF-6000BP | 3.5mm locking | SR |
| Audio Limited | RMS-2000-mxl,TX2000 | Lemo 6 pin (FFA.2C.306) | AL |
| Audio Technica | AEW-T1000,AEW-T1000a,ATW-T1001,ATW-T35,ATW-T601,ATW-T701,ATW-T75,ESW-T211 | Hirose 4 pin | AN |
| Audio Technica | ATW-3201 | Hirose 4 pin screw-down cH-style | ATCH |
| Audio Technica | ATW-T101 | TA5F | AW |
| Audio Technica | ATW-T1801,ATW-T201,ATW-T210,ATW-T210a,ATW-T27,ATW-T31,ATW-T310,ATW-T310b,ATW-T51 | Hirose 4 pin | AT |
| Audio Technica | ATW-T5201 | Hirose 4 pin screw-down cH-style | ANCH |
| Audix | B60 | TA3F | AB |
| Audix | RAD360-BP | TA3F | AD |
| Azden | 10BT (older),41BT (older) | 3.5mm locking | ZV |
| Azden | 15BT,35BT | 3.5mm non-locking mono | AZ |
| Azden | 31LT,32BT,WLT-PRO,WM22,WM-PRO | 3.5mm non-locking mono | ZP |
| Azden | 41BT (UHF) | Hirose 4 pin (HR10A-7P-4P) | ZU |
| Beyerdynamic | TS 316,TS 400,TS 600 | Lemo 4 pin (Type S) | BT |
| Beyerdynamic | TS-170,TS-170p,TS-190 (VHF),TSP | Lemo 4 pin (Type S) | BS |
| CAD Audio | WX155A | TA4F | CA |
| Carvin | Carvin: UBP1000,UX16-BP,UXBP16; Shure: BLX1,FP1,PG1,SLX1,UC1,ULX1,UR1,UR1M; Trantec: S4.4-BTX,S5.3-BTX,S5.5-BTX; JTS: E-6TB,E-7TB(D),IN264TB,IN64TB,PG-36BG2,PT-850B,PT-850BD,PT900B,PT-920B,PT-920BG,PT-920BGmi,PT-920Bmi,PT-950,PT-950Bmi, RU-850LTB,RU-850TB,RU-988TB,RU-G3TB,UF-10TB,UF-20TB; Beyerdynamic: TG 1000 (gray switch),TG 100B (gray switch) | TA4F | SL |
| Comtek | M-216,M-72 (Switchcraft 851 connector) | Switchcraft 851 | C2 |
| Comtek | M-72 (3.5mm non-locking connector) | 3.5mm non-locking | C3 |
| Electrovoice | BP-300,BPU-2 (RE2 Bodypack),BPU-2Pro (RE2 Pro Bodypack),BPU-2Pro-REF (RE2 Pro Referee Bodypack),BPU-R,CSB-1000,NBPU,NBPU-G,WTU-2,RE3-BPT (RE3 Bodypack) | TA4F | ET |
| Electrovoice | MB2500,MSB | TA4F | EV |
| Fender | Passport | Screw on mini 4 pin | FN |
| Happie Amp | Happie Amp: Happie Amp; Empower Sound: Amazing Amp | 3.5mm locking | HA |
| Hardwired/XLR | Hardwired/XLR | XLR3 Male | XLR |
| HME | TX550,TX822 | TA4F | HS |
| Lectrosonics | DBa,DCHT (with MCTA6TA5M2),LMa,LMb,LT,PDR,SM,SMa,SMB,SMDa,SMDB,SMQ,SMQa,SMQV,SMV,SMWB,SMDWB,SPDR,UM400a,UM450 | TA5F | SM |
| Lectrosonics | HM,UH200d,UH400,UH400a | A3M | LE |
| Lectrosonics | IM,LM,UM100,UM110,UM190,UM190b,UM195b,UM200,UM200b,UM200c,UM250b,UM250c,UM300b,UM400,UM500 | TA5F | L4 |
| Lectrosonics | M170,M170-BGO,M170-LS,M170-XLR (using 2.5mm jack),M175,M175-LS | Switchcraft 851 | L2 |
| Lectrosonics | M185,M187,UM700 | TA5F | LS |
| Lectrosonics | MM200,MM400,MM400a,MM400b,MM400c | Waterproof 2.5mm | LW |
| Lectrosonics | UH100,UH110,UH190,UH195,UH200,UH200c | A3M | LX |
| Lectrosonics | WM | Waterproof 2.5mm | WM |
| Lectrosonics | Lectrosonics: SSM; Sennheiser: SK 2000 | Lemo 3 pin | S2 |
| Lightspeed | BP-200 | Hirose 4 pin | LH |
| Lightspeed | BP-700,BP-800 | TA4F | LT |
| Line 6 | TBP06 | 1/4in phono right angle | L3 |
| Line 6 | TBP12 | TA4F | L7 |
| Micron | TX 700.xx (negative ground) | Lemo 6 pin | M7 |
| MIPRO | ACT-707T (older),MT-103 (older),MT-303 (older),MT-801 (older),MT-808 (older) | Screw on mini 4 pin | MN |
| MIPRO | MIPRO: ACT-24T,ACT-24TC,ACT-30T,ACT-32T,ACT-32TC,ACT-50T,ACT-52T,ACT-52TC,ACT-58T,ACT-58TC,ACT-707-TS (TE),ACT-70T,ACT-70TC,ACT-7Ta,ACT-801 TS (TE),ACT-80T,ACT-80TC,ACT-8Ta,MT-103a,MT303,MT801,MT-801a,MT808; Beyerdynamic: Opus Series,TG 100 (before 2015),TG 1000 (before 2015),TS 100,TS 300,TS 500,TS 800,TS 900 C,TS 900 M,TS 910 C,TS 910 M; Peavey: PCX-U302-B,PCX-V12-B | Screw on TA4F | MI |
| Nady | UB10,UB16,WLT14,WLT15 | 3.5mm locking | NL |
| Paso | MW223 | TA4F | PA |
| Pigtail Leads | - | Stripped and tinned | NC |
| Revolabs | HD (Countryman Adaptor) | TA4F | RV |
| Sabine | ST50T,SW1600,SW16TX,SW3000,SW30TX | Screw on TA4F | SS |
| Sabine | SW16T,SW30T | Screw on mini 4 pin | SB |
| Sabine | SW70 | TA4F | ST |
| Samson | Airline AL1 | 2.5mm Stereo | AS |
| Samson | AL-300,CT3,CT7,T32,UT1L,UB7,CB99,VT2L,VT3L | TA3F | SV |
| Samson | BT3,CT2,TX4 (gray),UT4 | Hirose 6 pin | SA |
| Samson | TX3 (Black),UT5,UT6 | Hirose 6 pin | SX |
| Senal | AWS-2000T | 3.5mm locking | S4 |
| Sennheiser | BF 1083 | Lemo 1 pin | S1 |
| Sennheiser | SK 2012 | Microdot | SE |
| Sennheiser | SK 2020-D | 3.5mm locking | S6 |
| Shure | AD1,ADX1,AXT100TA4F,GLXD1,PGXD1,QLXD1,ULXD1 | TA4F | AX |
| Shure | MXW1,MXW1/0=-Z11 | TA4F | SW |
| Shure | Shure: AD1LEMO3,ADX1LEMO3,ADX1M,AXT100LEMO3,ULXD1LEMO3,UR1MLEMO3; Audio Limited: A10-TX,A10-TX-US; Sennheiser: SK 250,SK 3063,SK 50,SK 5012,SK 5212,SK 5212-II,SK 6000,SK 9000 | Lemo 3 pin | S3 |
| Sky | UT86P | 3.5mm locking | SD |
| Sony | DWT-B01,DWT-G01,DWT-S01,DWT-V01 | Hirose 4 pin (twist lock) | DS |
| Sony | UTX-B03,UTX-B1,UTX-B2,WRT-805A | 3.5mm locking | SN |
| Sony | WRT-28,WRT-820A,WRT-860A,WRT-8B | Hirose 4 pin (twist lock) | SO |
| Sony | WRT-420,WRT-822B | Hirose 4 pin (twist lock) | SY |
| Sony | ZTX-B01,ZTX-B02RC | 3.5mm locking | SF |
| Telex | LT100,PST16,VB12,WT10,WT1000,WT50,WT500,WT55,WT60,WT700,WT80 | TA4F | TS |
| Telex | WT-200,WT-400,WT-450 | Lemo 4 pin | TL |
| Toa | WM-370,WM-4310,WM-5320,WM-5325 | 3.5mm (Special Toa) | TO |
| Toa | WM-4300 | TA4F | TA |
| Vega | 77677 | Lemo 4 pin | VL |
| Vega | BP2020,PRO-2,ST2020,T23,T25,T37,T93 | TA4F | VS |
| WisyCom | MTP30,MTP40,MTP40S,MTP41,MTP41S | Lemo 3 pin | WY |
| Yamaha | Yamaha: Pocketrak C24,Pocketrak W24; Olympus: DM-420,DM-520,DM-620,DS-2400,DS-40,DS-51,DS-61,DS-71,LS-10,LS-14; Roland: R05 ,R09HR; Zoom: H1,H2,H2n; Sony: PCM-D50,PCM-M10; Tascam: DR-05,DR-07mkII,DR-08,PR-10 | 3.5mm locking | D2 |
| Yamaha | Yamaha: Pocketrak C24,Pocketrak W24; Olympus: DM-420,DM-520,DM-620,DS-2400,DS-40,DS-51,DS-61,DS-71,LS-10,LS-14; Roland: R05 ,R09HR; Zoom: H1,H2,H2n; Sony: PCM-D50,PCM-M10; Tascam: DR-05,DR-07mkII,DR-08,PR-10 | 3.5mm locking | D3 |
| Zaxcom | TRX900AA,TRX900LA,TRX900LT,TRX900LTH,TRX900LTHS,TRX900LTS,TRXFB3,TRXLA2,TRXLA3,TRXLT3,ZMT3 | Lemo 3 pin | ZX |
Specifications
Supplied with a 5’ H6 Snap-On Cable, carrying case,
windscreen, black and white collar clips, and protective caps.
Frequency Response: 20 Hz to 20 kHz
Operating Current: 500 μA
Operating Voltage: 1 to 2 Volts
Power Supply Voltage :
+3V with 2.7 kOhm Load
+5V with 6.8 kOhm Load
+9V with 15 kOhm Load
Weight: 0.23 oz (6.5 grams)
Cable Break Strength: > 44 lbs (20 kg)
The H6 Headset is available in three sensitivities:
Model H6OW5 for general speaking
Sensitivity: 7.0 mV/Pascal
Equivalent Acoustic Noise: 24 dBA SPL
Overload Sound Level: 120 dB SPL
Model H6OW6 for loud speaking and vocals
Sensitivity: 2.0 mV/Pascal
Equivalent Acoustic Noise: 29 dBA SPL
Overload Sound Level: 130 dB SPL
Model H6OW7 for powerful vocals
Sensitivity: 0.70 mV/Pascal
Equivalent Acoustic Noise: 39 dBA SPL
Overload Sound Level: 140 dB SPL
Frequency Response: 20 Hz to 20 kHz
Operating Current: 500 μA
Operating Voltage: 1 to 2 Volts
Power Supply Voltage :
+3V with 2.7 kOhm Load
+5V with 6.8 kOhm Load
+9V with 15 kOhm Load
Weight: 0.23 oz (6.5 grams)
Cable Break Strength: > 44 lbs (20 kg)
The H6 Headset is available in three sensitivities:
Model H6OW5 for general speaking
Sensitivity: 7.0 mV/Pascal
Equivalent Acoustic Noise: 24 dBA SPL
Overload Sound Level: 120 dB SPL
Model H6OW6 for loud speaking and vocals
Sensitivity: 2.0 mV/Pascal
Equivalent Acoustic Noise: 29 dBA SPL
Overload Sound Level: 130 dB SPL
Model H6OW7 for powerful vocals
Sensitivity: 0.70 mV/Pascal
Equivalent Acoustic Noise: 39 dBA SPL
Overload Sound Level: 140 dB SPL
Reviews
Review Summary
5.0
1 Reviews
5
100% (1)
4
0% (0)
3
0% (0)
2
0% (0)
1
0% (0)
100% Recommend this product (1 of 1 responses)
By Dave
Rochester MN
Countryman headset
March 25, 2018
Great clarity , comfortable fit , low visibility, great price ...... the staff worked with me to order the right cord for my headset. !Thanks Focused Technology !
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