Countryman E6 Flex Omnidirectional Earset

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Countryman Associates E6 Flex Omnidirectional Earset



The E6 Flex Omnidirectional Earset microphone combines the best of the classic E6 omni earset with the best of the omni E6i. The slim, springy earpad grips the ear securely like an E6, while the new flexible boom improves on the E6i for precise placement, extreme durability, and easy reshaping. As part of the Countryman E6 line, the E6 Flex features swapable reinforced cables, versatile skin tone options, extreme water resistance, rugged construction, and uncompromising sound. It weighs less than one-tenth ounce and virtually disappears against the skin, so performers forget they’re even wearing a mic. It’s what makes an E6 an E6: the smallest, highest-performance earset in the world. Frequently Asked Questions:

How do I choose the right E6 for my application?

• The E6 Flex offers a versatile blend of the E6 and the E6i. With a springy, thin earpiece and a flexible boom, the E6 Flex is faster to fit a new face than any other earset microphone available—all without compromising true invisibility and world class sound. The E6 Flex is marked with an orange band.
• The classic E6 is a good choice when one person will wear the microphone. Because the boom is stiffer, once it is adjusted to fit the user’s face, it can be stored away, unpacked, and quickly worn with a minimum of fuss.
• The E6i is soft and highly-flexible with a larger silicone rubber ear piece. When multiple users share a mic, the E6i is a great choice. The soft boom is fantastically durable and the extreme flexibility makes changing users a breeze.

When should I choose a directional earset rather than an omni?

The omni earset rejects unwanted sound and feedback better than a lavalier almost any way you wear it, so it’s very user-friendly for new and experienced users alike. For situations where there are loud monitors, extreme feedback or environmental noise, choose the Countryman Directional Earset (marked with a green band).

How do I choose the right color for my skin tone?
In most cases the boom of the E6 will be against the performer’s skin. Tan is the most popular color choice, because it works perfectly for average Caucasian skin tones as well as olive complexions. Light beige works well in theatrical applications due to its slightly pink undertone, which is also appropriate for extremely fair skin. Cocoa is the ideal choice for African American skin tones ranging from very light to chocolate, and black is appropriate for extremely dark skin or for situations where you want the mic to be visible. When in doubt, a darker option tends to blend better and draws less attention.

Which E6 sensitivity should I choose?
Making a microphone more sensitive to catch soft sounds means it will overload sooner for loud sounds. Because sound pressure levels vary between individuals and applications, we provide three sensitivities for the E6 Flex:

• The highest gain (W5, no colored band) is for general speaking, such as presentations or sermons
• The medium gain (W6, blue band) is for vocals and loud speaking, such as in theater
• The most powerful vocals require the least gain mic (W7, purple band) with the highest overload level

Frequency Response : 20 Hz to 20 kHz
Operating Current : 500 μA
Operating Voltage : 1 to 2 Volts
Power Supply Voltage :
+3V with 2.7 kOhm Load
+5V with 6.8 kOhm Load
+9V with 15 kOhm Load
Weight : .07 oz (2 grams)

The E6 Flex Earset is available in three sensitivities:

Model E6XOW5 for general speaking
Sensitivity: 7.0 mV/Pascal
Equivalent Acoustic Noise: 24 dBA SPL
Overload Sound Level: 120 dB SPL

Model E6XOW6 for loud speaking and vocals
Sensitivity: 2.0 mV/Pascal
Equivalent Acoustic Noise: 29 dBA SPL
Overload Sound Level: 130 dB SPL

Model E6XOW7 for powerful vocals
Sensitivity: 0.70 mV/Pascal
Equivalent Acoustic Noise: 39 dBA SPL
Overload Sound Level: 140 dB SPL

E6XO

Connector Type Reference Chart
Transmitter Brand	Transmitter Model	Connector Type	Code
(No Cable/Adaptor)	(No Cable/Adaptor)	(none)	MO
AKG	DPT800,DPT700,PT2000,PT40,PT400,PT4000,PT45,PT450,PT4500,PT470,PT60,PT61,PT80,PT81	TA3F	AK
AKG	PT300,PT500,PT51	B-LOC (locking male)	AG
Amplivox	S-1600T,S-1690T	3.5mm non-locking	AM
Anchor Audio	WB-6000,WB-6400,WB-8000	TA4F	AA
Audio 2000's	Audio 2000's: AWX6030M; Sennheiser: SK 100 G1,SK 100 G2,SK 100 G3,SK 100 G4,SK 1093,SK 20,SK 300 G1,SK 300 G2, SK 300 G3,SK 300 G4,SK 500 G1,SK 500 G2,SK 500 G3,SK 500 G4,SK AVX,SK D1,SK-XSW,SL Bodypack DW,XSW-D TX35; Gemini: UHF-6000BP	3.5mm locking	SR
Audio Limited	RMS-2000-mxl,TX2000	Lemo 6 pin (FFA.2C.306)	AL
Audio Technica	AEW-T1000,AEW-T1000a,ATW-T1001,ATW-T35,ATW-T601,ATW-T701,ATW-T75,ESW-T211	Hirose 4 pin	AN
Audio Technica	ATW-3201	Hirose 4 pin screw-down cH-style	ATCH
Audio Technica	ATW-T101	TA5F	AW
Audio Technica	ATW-T1801,ATW-T201,ATW-T210,ATW-T210a,ATW-T27,ATW-T31,ATW-T310,ATW-T310b,ATW-T51	Hirose 4 pin	AT
Audio Technica	ATW-T5201	Hirose 4 pin screw-down cH-style	ANCH
Audix	B60	TA3F	AB
Audix	RAD360-BP	TA3F	AD
Azden	10BT (older),41BT (older)	3.5mm locking	ZV
Azden	15BT,35BT	3.5mm non-locking mono	AZ
Azden	31LT,32BT,WLT-PRO,WM22,WM-PRO	3.5mm non-locking mono	ZP
Azden	41BT (UHF)	Hirose 4 pin (HR10A-7P-4P)	ZU
Beyerdynamic	TS 316,TS 400,TS 600	Lemo 4 pin (Type S)	BT
Beyerdynamic	TS-170,TS-170p,TS-190 (VHF),TSP	Lemo 4 pin (Type S)	BS
CAD Audio	WX155A	TA4F	CA
Carvin	Carvin: UBP1000,UX16-BP,UXBP16; Shure: BLX1,FP1,PG1,SLX1,UC1,ULX1,UR1,UR1M; Trantec: S4.4-BTX,S5.3-BTX,S5.5-BTX; JTS: E-6TB,E-7TB(D),IN264TB,IN64TB,PG-36BG2,PT-850B,PT-850BD,PT900B,PT-920B,PT-920BG,PT-920BGmi,PT-920Bmi,PT-950,PT-950Bmi,RU-850LTB, RU-850TB,RU-988TB,RU-G3TB,UF-10TB,UF-20TB; Beyerdynamic: TG 1000 (gray switch),TG 100B (gray switch)	TA4F	SL
Comtek	M-216,M-72 (Switchcraft 851 connector)	Switchcraft 851	C2
Comtek	M-72 (3.5mm non-locking connector)	3.5mm non-locking	C3
Electrovoice	BP-300,BPU-2 (RE2 Bodypack),BPU-2Pro (RE2 Pro Bodypack),BPU-2Pro-REF (RE2 Pro Referee Bodypack),BPU-R,CSB-1000,NBPU,NBPU-G,WTU-2,RE3-BPT (RE3 Bodypack)	TA4F	ET
Electrovoice	MB2500,MSB	TA4F	EV
Fender	Passport	Screw on mini 4 pin	FN
Happie Amp	Happie Amp: Happie Amp; Empower Sound: Amazing Amp	3.5mm locking	HA
Hardwired/XLR	Hardwired/XLR	XLR3 Male	none
HME	TX550,TX822	TA4F	HS
Lectrosonics	DBa,DCHT (with MCTA6TA5M2),LMa,LMb,LT,PDR,SM,SMa,SMB,SMDa,SMDB,SMQ,SMQa,SMQV,SMV,SMWB,SMDWB,SPDR,UM400a,UM450	TA5F	SM
Lectrosonics	HM,UH200d,UH400,UH400a	A3M	LE
Lectrosonics	IM,LM,UM100,UM110,UM190,UM190b,UM195b,UM200,UM200b,UM200c,UM250b,UM250c,UM300b,UM400,UM500	TA5F	L4
Lectrosonics	M170,M170-BGO,M170-LS,M170-XLR (using 2.5mm jack),M175,M175-LS	Switchcraft 851	L2
Lectrosonics	M185,M187,UM700	TA5F	LS
Lectrosonics	MM200,MM400,MM400a,MM400b,MM400c	Waterproof 2.5mm	LW
Lectrosonics	UH100,UH110,UH190,UH195,UH200,UH200c	A3M	LX
Lectrosonics	WM	Waterproof 2.5mm	WM
Lectrosonics	Lectrosonics: SSM; Sennheiser: SK 2000	Lemo 3 pin	S2
Lightspeed	BP-200	Hirose 4 pin	LH
Lightspeed	BP-700,BP-800	TA4F	LT
Line 6	TBP06	1/4in phono right angle	L3
Line 6	TBP12	TA4F	L7
Micron	TX 700.xx (negative ground)	Lemo 6 pin	M7
MIPRO	ACT-707T (older),MT-103 (older),MT-303 (older),MT-801 (older),MT-808 (older)	Screw on mini 4 pin	MN
MIPRO	MIPRO: ACT-24T,ACT-24TC,ACT-30T,ACT-32T,ACT-32TC,ACT-50T,ACT-52T,ACT-52TC,ACT-58T,ACT-58TC,ACT-707-TS (TE),ACT-70T,ACT-70TC,ACT-7Ta,ACT-801 TS (TE),ACT-80T,ACT-80TC,ACT-8Ta,MT-103a,MT303,MT801,MT-801a,MT808; Beyerdynamic: Opus Series,TG 100 (before 2015),TG 1000 (before 2015),TS 100,TS 300,TS 500,TS 800,TS 900 C,TS 900 M,TS 910 C,TS 910 M; Peavey: PCX-U302-B,PCX-V12-B	Screw on TA4F	MI
Nady	UB10,UB16,WLT14,WLT15	3.5mm locking	NL
Paso	MW223	TA4F	PA
Pigtail Leads	-	Stripped and tinned	NC
Revolabs	HD (Countryman Adaptor)	TA4F	RV
Sabine	ST50T,SW1600,SW16TX,SW3000,SW30TX	Screw on TA4F	SS
Sabine	SW16T,SW30T	Screw on mini 4 pin	SB
Sabine	SW70	TA4F	ST
Samson	Airline AL1	2.5mm Stereo	AS
Samson	AL-300,CT3,CT7,T32,UT1L,UB7,CB99,VT2L,VT3L	TA3F	SV
Samson	BT3,CT2,TX4 (gray),UT4	Hirose 6 pin	SA
Samson	TX3 (Black),UT5,UT6	Hirose 6 pin	SX
Senal	AWS-2000T	3.5mm locking	S4
Sennheiser	BF 1083	Lemo 1 pin	S1
Sennheiser	SK 2012	Microdot	SE
Sennheiser	SK 2020-D	3.5mm locking	S6
Shure	AD1,ADX1,AXT100TA4F,GLXD1,PGXD1,QLXD1,ULXD1	TA4F	AX
Shure	MXW1,MXW1/0=-Z11	TA4F	SW
Shure	Shure: AD1LEMO3,ADX1LEMO3,ADX1M,AXT100LEMO3,ULXD1LEMO3,UR1MLEMO3; Audio Limited: A10-TX,A10-TX-US; Sennheiser: SK 250,SK 3063,SK 50,SK 5012,SK 5212,SK 5212-II,SK 6000,SK 9000	Lemo 3 pin	S3
Sky	UT86P	3.5mm locking	SD
Sony	DWT-B01,DWT-G01,DWT-S01,DWT-V01	Hirose 4 pin (twist lock)	DS
Sony	UTX-B03,UTX-B1,UTX-B2,WRT-805A	3.5mm locking	SN
Sony	WRT-28,WRT-820A,WRT-860A,WRT-8B	Hirose 4 pin (twist lock)	SO
Sony	WRT-420,WRT-822B	Hirose 4 pin (twist lock)	SY
Sony	ZTX-B01,ZTX-B02RC	3.5mm locking	SF
Telex	LT100,PST16,VB12,WT10,WT1000,WT50,WT500,WT55,WT60,WT700,WT80	TA4F	TS
Telex	WT-200,WT-400,WT-450	Lemo 4 pin	TL
Toa	WM-370,WM-4310,WM-5320,WM-5325	3.5mm (Special Toa)	TO
Toa	WM-4300	TA4F	TA
Vega	77677	Lemo 4 pin	VL
Vega	BP2020,PRO-2,ST2020,T23,T25,T37,T93	TA4F	VS
WisyCom	MTP30,MTP40,MTP40S,MTP41,MTP41S	Lemo 3 pin	WY
Yamaha	Yamaha: Pocketrak C24,Pocketrak W24; Olympus: DM-420,DM-520,DM-620,DS-2400,DS-40,DS-51,DS-61,DS-71,LS-10,LS-14; Roland: R05 ,R09HR; Zoom: H1,H2,H2n; Sony: PCM-D50,PCM-M10; Tascam: DR-05,DR-07mkII,DR-08,PR-10	3.5mm locking	D2
Yamaha	Yamaha: Pocketrak C24,Pocketrak W24; Olympus: DM-420,DM-520,DM-620,DS-2400,DS-40,DS-51,DS-61,DS-71,LS-10,LS-14; Roland: R05 ,R09HR; Zoom: H1,H2,H2n; Sony: PCM-D50,PCM-M10; Tascam: DR-05,DR-07mkII,DR-08,PR-10	3.5mm locking	D3
Zaxcom	TRX900AA,TRX900LA,TRX900LT,TRX900LTH,TRX900LTHS,TRX900LTS,TRXFB3,TRXLA2,TRXLA3,TRXLT3,ZMT3	Lemo 3 pin	ZX