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Countryman B6 Omnidirectional Lavalier

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Description
Please Note: Not all variations may be available to ship immediately. If you have an urgent need, please contact sales at 1-888-686-0551 or email sales@focusedtechnology.com with the model(s) and quantity you need.
Countryman B6 Omnidirectional Lavalier
Only one tenth of an inch in diameter, the B6 is the smallest lavalier in the world and outperforms microphones many times its size.
The changeable protective caps provide moisture resistance and color options and let you shape the frequency response for different situations or to match other microphones.
The B6 lavalier microphone is outfitted with specified connector and supplied with a windscreen, set of three protective caps, set of two tie clips (black and white), and carrying case.
Applications:
Tan is the most popular color choice, because it works perfectly for average Caucasian skin tones, as well as olive complexions. Light beige works well in theatrical applications due to its slightly pink undertone, which is also appropriate for extremely fair skin. Cocoa is the ideal choice for African American skin tones ranging from very light to chocolate, and black is appropriate for extremely dark skin, or for situations where you want the mic to be visible.
When in doubt, choose the darker option. That’s because a mic that’s too light can resemble a scar or blemish, while a mic that’s slightly darker than the background tends to blend much better and draws less attention.
Which cap should I use?
The B6 lavalier should always be used with a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone. The three omni caps each have a different high frequency response characteristic that controls the amount of “crispness” or “sibilance” (response at 15 kHz). To identify caps, compare size to the drawings.
The omni ships with the +4 dB protective cap fitted to the mic. This will boost the perceived amount of presence in your sound, while leaving the lower frequencies unchanged. If you experience problems with high-frequency feedback, you should switch to the 0 dB cap.
Which sensitivity should I choose?
Making a microphone more sensitive to catch soft sounds means it will overload sooner for loud sounds. Because sound pressure levels vary between individuals and applications, we provide three sensitivities with three overload or clipping characteristics.
Countryman B6 Omnidirectional Lavalier
Only one tenth of an inch in diameter, the B6 is the smallest lavalier in the world and outperforms microphones many times its size.
The changeable protective caps provide moisture resistance and color options and let you shape the frequency response for different situations or to match other microphones.
The B6 lavalier microphone is outfitted with specified connector and supplied with a windscreen, set of three protective caps, set of two tie clips (black and white), and carrying case.
Applications:
- All-purpose, rugged, affordable lavalier that is easy to hide
- Easily hidden in hair/costumes or glued on performers' faces in film, theater and broadcast
- Also suited for news anchors, interviews, lecturers, churches, schools and general lavalier applications
- Low distortion at SPL up to 150dB on 48V Phantom Power
- Field-selectable HF response caps
- Kevlar cable and ultra-thin diaphragm combine to set a new standard for low handling noise
- Highest-quality audio available in a lavalier mic
- Excellent rejection of surrounding noise
- Smaller than the cable of other lavaliers at only .1" (2.5mm) diameter
- Comes is six colors to blend with clothing and skin tones.
- Easily hides in plain sight by swapping colored caps to match button hole, sweater weave or skin tone. Use a felt-tip marker to color the white caps to get an exceptional match.
- Built to withstand perspiration and makeup, for use in hair or on the body
- Protective cap is easily removed for cleaning or replacement when clogged with makeup
- Kevlar-reinforced cable withstands punishment
Tan is the most popular color choice, because it works perfectly for average Caucasian skin tones, as well as olive complexions. Light beige works well in theatrical applications due to its slightly pink undertone, which is also appropriate for extremely fair skin. Cocoa is the ideal choice for African American skin tones ranging from very light to chocolate, and black is appropriate for extremely dark skin, or for situations where you want the mic to be visible.
When in doubt, choose the darker option. That’s because a mic that’s too light can resemble a scar or blemish, while a mic that’s slightly darker than the background tends to blend much better and draws less attention.
Which cap should I use?
The B6 lavalier should always be used with a protective cap in place to keep sweat, makeup, and other foreign material out of the microphone. The three omni caps each have a different high frequency response characteristic that controls the amount of “crispness” or “sibilance” (response at 15 kHz). To identify caps, compare size to the drawings.
The omni ships with the +4 dB protective cap fitted to the mic. This will boost the perceived amount of presence in your sound, while leaving the lower frequencies unchanged. If you experience problems with high-frequency feedback, you should switch to the 0 dB cap.
Which sensitivity should I choose?
Making a microphone more sensitive to catch soft sounds means it will overload sooner for loud sounds. Because sound pressure levels vary between individuals and applications, we provide three sensitivities with three overload or clipping characteristics.
- The most sensitive (W4, gray band) is for general speaking, such as presentations or sermons, where the mic is positioned on the chest or lapel
- The middle sensitivity (W5, red band) is ideal for use as a head mic in theater
- The least sensitive mic (W6, blue band) with the highest overload sound level is a good choice for applications where the microphone will be positioned near the user’s mouth.
Specifications
Frequency Response : 20 Hz to 20 kHz
Operating Current : 500 μA
Operating Voltage : 1 to 2 Volts
Power Supply Voltage :
+3 V with 2.7 kOhm Load
+5 V with 6.8 kOhm Load
+9 V with 15 kOhm Load
Weight : .07 oz (2 grams)
The B6 lavalier is available in three sensitivities:
B6W4 - standard (gray band) for most uses
Sensitivity: 16.0 mV/Pascal
Equivalent Acoustic Noise: 24 dBA SPL
Overload Sound Level: 120 dB SPL
B6W5 - low (red band, -10 dB re W4) head mic for theater
Sensitivity: 7.0 mV/Pascal
Equivalent Acoustic Noise: 29 dBA SPL
Overload Sound Level: 130 dB SPL
B6W6 - very low (blue band, -20 dB re W4) mic near user’s mouth
Sensitivity: 2 mV/Pascal
Equivalent Acoustic Noise: 39 dBA SPL
Overload Sound Level: 140 dB SPL
Operating Current : 500 μA
Operating Voltage : 1 to 2 Volts
Power Supply Voltage :
+3 V with 2.7 kOhm Load
+5 V with 6.8 kOhm Load
+9 V with 15 kOhm Load
Weight : .07 oz (2 grams)
The B6 lavalier is available in three sensitivities:
B6W4 - standard (gray band) for most uses
Sensitivity: 16.0 mV/Pascal
Equivalent Acoustic Noise: 24 dBA SPL
Overload Sound Level: 120 dB SPL
B6W5 - low (red band, -10 dB re W4) head mic for theater
Sensitivity: 7.0 mV/Pascal
Equivalent Acoustic Noise: 29 dBA SPL
Overload Sound Level: 130 dB SPL
B6W6 - very low (blue band, -20 dB re W4) mic near user’s mouth
Sensitivity: 2 mV/Pascal
Equivalent Acoustic Noise: 39 dBA SPL
Overload Sound Level: 140 dB SPL
| Connector Type Reference Chart | |||
|---|---|---|---|
| Transmitter Brand | Transmitter Model | Connector Type | Code |
| (No Cable/Adaptor) | (No Cable/Adaptor) | (none) | MO |
| AKG | DPT800,DPT700,PT2000,PT40,PT400,PT4000,PT45,PT450,PT4500,PT470,PT60,PT61,PT80,PT81 | TA3F | AK |
| AKG | PT300,PT500,PT51 | B-LOC (locking male) | AG |
| Amplivox | S-1600T,S-1690T | 3.5mm non-locking | AM |
| Anchor Audio | WB-6000,WB-6400,WB-8000 | TA4F | AA |
| Audio 2000's | Audio 2000's: AWX6030M; Sennheiser: SK 100 G1,SK 100 G2,SK 100 G3,SK 100 G4,SK 1093,SK 20,SK 300 G1,SK 300 G2,SK 300 G3, SK 300 G4,SK 500 G1,SK 500 G2,SK 500 G3,SK 500 G4,SK AVX,SK D1,SK-XSW,SL Bodypack DW,XSW-D TX35; Gemini: UHF-6000BP | 3.5mm locking | SR |
| Audio Limited | RMS-2000-mxl,TX2000 | Lemo 6 pin (FFA.2C.306) | AL |
| Audio Technica | AEW-T1000,AEW-T1000a,ATW-T1001,ATW-T35,ATW-T601,ATW-T701,ATW-T75,ESW-T211 | Hirose 4 pin | AN |
| Audio Technica | ATW-3201 | Hirose 4 pin screw-down cH-style | ATCH |
| Audio Technica | ATW-T101 | TA5F | AW |
| Audio Technica | ATW-T1801,ATW-T201,ATW-T210,ATW-T210a,ATW-T27,ATW-T31,ATW-T310,ATW-T310b,ATW-T51 | Hirose 4 pin | AT |
| Audio Technica | ATW-T5201 | Hirose 4 pin screw-down cH-style | ANCH |
| Audix | B60 | TA3F | AB |
| Audix | RAD360-BP | TA3F | AD |
| Azden | 10BT (older),41BT (older) | 3.5mm locking | ZV |
| Azden | 15BT,35BT | 3.5mm non-locking mono | AZ |
| Azden | 31LT,32BT,WLT-PRO,WM22,WM-PRO | 3.5mm non-locking mono | ZP |
| Azden | 41BT (UHF) | Hirose 4 pin (HR10A-7P-4P) | ZU |
| Beyerdynamic | TS 316,TS 400,TS 600 | Lemo 4 pin (Type S) | BT |
| Beyerdynamic | TS-170,TS-170p,TS-190 (VHF),TSP | Lemo 4 pin (Type S) | BS |
| CAD Audio | WX155A | TA4F | CA |
| Carvin | Carvin: UBP1000,UX16-BP,UXBP16; Shure: BLX1,FP1,PG1,SLX1,UC1,ULX1,UR1,UR1M; Trantec: S4.4-BTX,S5.3-BTX,S5.5-BTX; JTS: E-6TB,E-7TB(D),IN264TB,IN64TB,PG-36BG2,PT-850B,PT-850BD,PT900B,PT-920B,PT-920BG,PT-920BGmi,PT-920Bmi,PT-950,PT-950Bmi,RU-850LTB, RU-850TB,RU-988TB,RU-G3TB,UF-10TB,UF-20TB; Beyerdynamic: TG 1000 (gray switch),TG 100B (gray switch) | TA4F | SL |
| Comtek | M-216,M-72 (Switchcraft 851 connector) | Switchcraft 851 | C2 |
| Comtek | M-72 (3.5mm non-locking connector) | 3.5mm non-locking | C3 |
| Electrovoice | BP-300,BPU-2 (RE2 Bodypack),BPU-2Pro (RE2 Pro Bodypack),BPU-2Pro-REF (RE2 Pro Referee Bodypack),BPU-R,CSB-1000,NBPU,NBPU-G,WTU-2,RE3-BPT (RE3 Bodypack) | TA4F | ET |
| Electrovoice | MB2500,MSB | TA4F | EV |
| Fender | Passport | Screw on mini 4 pin | FN |
| Happie Amp | Happie Amp: Happie Amp; Empower Sound: Amazing Amp | 3.5mm locking | HA |
| Hardwired/XLR | Hardwired/XLR | XLR3 Male | none |
| HME | TX550,TX822 | TA4F | HS |
| Lectrosonics | DBa,DCHT (with MCTA6TA5M2),LMa,LMb,LT,PDR,SM,SMa,SMB,SMDa,SMDB,SMQ,SMQa,SMQV,SMV,SMWB,SMDWB,SPDR,UM400a,UM450 | TA5F | SM |
| Lectrosonics | HM,UH200d,UH400,UH400a | A3M | LE |
| Lectrosonics | IM,LM,UM100,UM110,UM190,UM190b,UM195b,UM200,UM200b,UM200c,UM250b,UM250c,UM300b,UM400,UM500 | TA5F | L4 |
| Lectrosonics | M170,M170-BGO,M170-LS,M170-XLR (using 2.5mm jack),M175,M175-LS | Switchcraft 851 | L2 |
| Lectrosonics | M185,M187,UM700 | TA5F | LS |
| Lectrosonics | MM200,MM400,MM400a,MM400b,MM400c | Waterproof 2.5mm | LW |
| Lectrosonics | UH100,UH110,UH190,UH195,UH200,UH200c | A3M | LX |
| Lectrosonics | WM | Waterproof 2.5mm | WM |
| Lectrosonics | Lectrosonics: SSM; Sennheiser: SK 2000 | Lemo 3 pin | S2 |
| Lightspeed | BP-200 | Hirose 4 pin | LH |
| Lightspeed | BP-700,BP-800 | TA4F | LT |
| Line 6 | TBP06 | 1/4in phono right angle | L3 |
| Line 6 | TBP12 | TA4F | L7 |
| Micron | TX 700.xx (negative ground) | Lemo 6 pin | M7 |
| MIPRO | ACT-707T (older),MT-103 (older),MT-303 (older),MT-801 (older),MT-808 (older) | Screw on mini 4 pin | MN |
| MIPRO | MIPRO: ACT-24T,ACT-24TC,ACT-30T,ACT-32T,ACT-32TC,ACT-50T,ACT-52T,ACT-52TC,ACT-58T,ACT-58TC,ACT-707-TS (TE),ACT-70T,ACT-70TC,ACT-7Ta,ACT-801 TS (TE),ACT-80T,ACT-80TC,ACT-8Ta,MT-103a,MT303,MT801,MT-801a,MT808; Beyerdynamic: Opus Series,TG 100 (before 2015),TG 1000 (before 2015),TS 100,TS 300,TS 500,TS 800,TS 900 C,TS 900 M,TS 910 C,TS 910 M; Peavey: PCX-U302-B,PCX-V12-B | Screw on TA4F | MI |
| Nady | UB10,UB16,WLT14,WLT15 | 3.5mm locking | NL |
| Paso | MW223 | TA4F | PA |
| Pigtail Leads | - | Stripped and tinned | NC |
| Revolabs | HD (Countryman Adaptor) | TA4F | RV |
| Sabine | ST50T,SW1600,SW16TX,SW3000,SW30TX | Screw on TA4F | SS |
| Sabine | SW16T,SW30T | Screw on mini 4 pin | SB |
| Sabine | SW70 | TA4F | ST |
| Samson | Airline AL1 | 2.5mm Stereo | AS |
| Samson | AL-300,CT3,CT7,T32,UT1L,UB7,CB99,VT2L,VT3L | TA3F | SV |
| Samson | BT3,CT2,TX4 (gray),UT4 | Hirose 6 pin | SA |
| Samson | TX3 (Black),UT5,UT6 | Hirose 6 pin | SX |
| Senal | AWS-2000T | 3.5mm locking | S4 |
| Sennheiser | BF 1083 | Lemo 1 pin | S1 |
| Sennheiser | SK 2012 | Microdot | SE |
| Sennheiser | SK 2020-D | 3.5mm locking | S6 |
| Shure | AD1,ADX1,AXT100TA4F,GLXD1,PGXD1,QLXD1,ULXD1 | TA4F | AX |
| Shure | MXW1,MXW1/0=-Z11 | TA4F | SW |
| Shure | Shure: AD1LEMO3,ADX1LEMO3,ADX1M,AXT100LEMO3,ULXD1LEMO3,UR1MLEMO3; Audio Limited: A10-TX,A10-TX-US; Sennheiser: SK 250,SK 3063,SK 50,SK 5012,SK 5212,SK 5212-II,SK 6000,SK 9000 | Lemo 3 pin | S3 |
| Sky | UT86P | 3.5mm locking | SD |
| Sony | DWT-B01,DWT-G01,DWT-S01,DWT-V01 | Hirose 4 pin (twist lock) | DS |
| Sony | UTX-B03,UTX-B1,UTX-B2,WRT-805A | 3.5mm locking | SN |
| Sony | WRT-28,WRT-820A,WRT-860A,WRT-8B | Hirose 4 pin (twist lock) | SO |
| Sony | WRT-420,WRT-822B | Hirose 4 pin (twist lock) | SY |
| Sony | ZTX-B01,ZTX-B02RC | 3.5mm locking | SF |
| Telex | LT100,PST16,VB12,WT10,WT1000,WT50,WT500,WT55,WT60,WT700,WT80 | TA4F | TS |
| Telex | WT-200,WT-400,WT-450 | Lemo 4 pin | TL |
| Toa | WM-370,WM-4310,WM-5320,WM-5325 | 3.5mm (Special Toa) | TO |
| Toa | WM-4300 | TA4F | TA |
| Vega | 77677 | Lemo 4 pin | VL |
| Vega | BP2020,PRO-2,ST2020,T23,T25,T37,T93 | TA4F | VS |
| WisyCom | MTP30,MTP40,MTP40S,MTP41,MTP41S | Lemo 3 pin | WY |
| Yamaha | Yamaha: Pocketrak C24,Pocketrak W24; Olympus: DM-420,DM-520,DM-620,DS-2400,DS-40,DS-51,DS-61,DS-71,LS-10,LS-14; Roland: R05 ,R09HR; Zoom: H1,H2,H2n; Sony: PCM-D50,PCM-M10; Tascam: DR-05,DR-07mkII,DR-08,PR-10 | 3.5mm locking | D2 |
| Yamaha | Yamaha: Pocketrak C24,Pocketrak W24; Olympus: DM-420,DM-520,DM-620,DS-2400,DS-40,DS-51,DS-61,DS-71,LS-10,LS-14; Roland: R05 ,R09HR; Zoom: H1,H2,H2n; Sony: PCM-D50,PCM-M10; Tascam: DR-05,DR-07mkII,DR-08,PR-10 | 3.5mm locking | D3 |
| Zaxcom | TRX900AA,TRX900LA,TRX900LT,TRX900LTH,TRX900LTHS,TRX900LTS,TRXFB3,TRXLA2,TRXLA3,TRXLT3,ZMT3 | Lemo 3 pin | ZX |
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